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DXi's are plug-ins that generate audio through your sound card when receiving MIDI data from another track or through live input, like playing your MIDI keyboard. Some DXi's can be programmed to generate rhythmic patterns or sequences and do not require MIDI input from SONARTM. You may control and play DXi's in real time using their internal interface or external MIDI devices like keyboards, guitar synths, or wind controllers. You can automate the controls of some DXi's. Note that not all DXi's are tone generators, but can be used as MIDI-controlled audio processors, such as vocoders, intelligent pitch shifters, or tempo-based delays. Of course you can also patch audio effect plug-ins to synth outputs for additional sound flexibility.
A common cause of this problem is in conjunction with a Virtual Synth such as the Roland VSC. Since all software synthesizers rely on the digital audio portion of the sound card, playing MIDI and digital audio together can sometimes be a problem.
Go to the Control Panel Multimedia -or- Sounds and Audio Devices Audio. Select the same audio playback device as is showing in the recording preferences. Click the MIDI tab (Windows XP: Look in the MIDI Playback area) and select your sound card's synth, rather than the VSC88/3 (or other software synth). This will give a lesser quality for Windows playback but the VSC can be selected internally by the software rather than allowing Windows to be the default.
USB: There are many MIDI interfaces available that connect to this port on your computer. MIDI In and Out cables connect from the interface to your synth, and you may have to purchase the cables separately.
Sound card (Joystick port): The joystick port (game port) on your sound card has a built-in MIDI interface. The cable that connects to the joystick port is commonly called a Universal MIDI Sound Card Connector. Some sound cards have MIDI in and out ports so you don't need to use the joystick port. In either case, MIDI cables connect to your synth's MIDI In and Out.
The manufacturer is referring to the number of sounds the module can play at the same time. A 64 voice module can play 64 sounds all at the same time. Some synths use more than one sound/voice to create a fuller sound for some patches. The number of partials (combinations of sounds) a patch uses will determine how many voices will be used for a single note. For example, if you press one note on a patch that has 3 sounds in it (like a layer of piano, strings and brass), you would use up 3 voices of your 64 available. Add a Bass track, (1 note, 1 voice) Drums (4 notes in some places) Guitar (3 notes) ..... well, you get the picture. You are using up the available voices as you add layers to your MIDI song. Remember, this is fluid; as notes are released, more voices become available. It is really only an issue when all tracks play all notes all at the same time. A 64 voice module has a fair number of voices to use so running out of sound is not really an issue.
Polyphony refers to the number of notes the unit can play simultaneously. A trumpet is monophonic, while a guitar can have up to 6 note polyphony (six strings). Your synthesizer might be 16, 32, or 64-note polyphonic. Sometimes, in a complex MIDI file, there are more than 64 notes sounding at a time. In this case, a smart synth will use an algorithm to determine which note to suspend playing so that it might continue.
A synthesizer is Multitimbral if it can produce more than one type of sound at a time. This is usually set to the number of channels the unit has. For example, on a 16 channel unit with 64 note polyphony, the synth can play 64 notes at a time, spread out over 16 different instruments.
Note: If you won't be recording MIDI from an external MIDI synth it is usually ok if you don't have a MIDI Input driver, as long as you do have a MIDI Output driver. To avoid getting a warning that there are no MIDI Input drivers installed in PowerTracks when you are trying to reco